Christiane Paul on Curating New Media Art

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Professor in the school of media studies and Curator of digital art at the Whitney, Christiane Paul Says New Media Art must be curated differently based on its inherent tendencies to not be defined and boxed.
As an inherently process-oriented and participatory art form, new media art has a profound influence on the roles of the curator; artist, audience, and institution. Increasingly, curators must work with the artist on development and presentation of the work. Thus, Paul says we must form new Relationships to how we display New Media art and how we curate it.
Because new media art is deeply interwoven into our information society- the network structures and collaborative models that are creating new forms of cultural production and autonomy and profoundly shape today's cultural climate- it will always transcend the boundaries of museums and galleries and create new spaces.
Most museums and institutions even today underrepresent new media art, especially interactive and real-time work, as museums and galleries are built to present objects, not electronic and digital media. It is not a deliberate neglect, the institutions are just not equipped for new media work.
Paul then asks institutions to increase their perception and adjust to the changing artistic climate in order to reflect and archive our current artistic and technological conditions

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